We’ve joined one of the EDM’s brightest stars for his performances at Ultra Europe festival in Split and Papaya club at Zrće Beach on the Isle of Pag to compare his gigs at major electronic festival and one of world’s most popular clubs.
25 years old head of Protocol records, currently #7 on Top 100 DJs list,
David Guetta’s studio partner and author of hit singles such as
Toulouse, I Could Be the One (ft. Avicii, UK #1), Metropolis (ft. David
Guetta), Like Home (ft. Nervo) as well as Legacy (ft. Krewella), has
also let us peek a bit behind the stage curtain. We wanted to unveil two
faces of Nicky Romero, the one you see on world’s greatest stages and
the other living out of the spotlights, constantly moving between
airports, hotels, clubs, festivals and studios. The lives of superstar
DJs might seem flashy with all that money, private jets, VIP rooms, top
notch riders and fancy hotels, but life on the top is not that easy at
all. The hardest thing seems to be keeping good balance between work
commitments and private life, and it’s not that rare that even young
artists burn out.We’ve joined one of the EDM’s brightest stars for his
performances at
Ultra Europe festival in Split and
Papaya club at Zrće
Beach on the Isle of Pag to compare his gigs at major electronic
festival and one of world’s most popular clubs.
25 years old head of Protocol records, currently
#7 on Top 100 DJs
list, David Guetta’s studio partner and author of hit singles such as
Toulouse, I Could Be the One (ft. Avicii, UK #1), Metropolis (ft. David
Guetta), Like Home (ft. Nervo) as well as
Legacy (ft. Krewella), has
also let us peek a bit behind the stage curtain. We wanted to unveil two
faces of Nicky Romero, the one you see on world’s greatest stages and
the other living out of the spotlights, constantly moving between
airports, hotels, clubs, festivals and studios. The lives of superstar
DJs might seem flashy with all that money, private jets, VIP rooms, top
notch riders and fancy hotels, but life on the top is not that easy at
all. The hardest thing seems to be keeping good balance between work
commitments and private life, and it’s not that rare that even young
artists burn out.
I’ve actually prepared couple of decent questions, but as you proposed yesterday let’s talk about Croatian women …
Ha, ha, ha … Every time I come to Croatia there are so many
good looking women. I just wanted to mention that. They look amazing.
It’s good to notice it, right? It’s good to show them some respect.
What position has music in your career? Being a top DJ is not
just about music anymore. Nowadays you have to stage big shows, run
record labels, radio shows, you are experts on branding, marketing,
promotion, social media …
For me the source of music is Holland. That’s where I live and
that’s where I do most of my music, that’s my home and that’s where my
heart is. Europe is still very important place right now to develop
yourself as an artist, there’s that huge American market and Asia is
growing as well. Obviously I don’t do everything you’ve listed on my
own. I make music – that’s what I like to do and that’s what I want to
do – I perform and next to that I’m also running the Protocol Recordings
label. We also have a Protocol management company, but I have a lot of
good people running that for me. I just want to make sure I can focus on
music. Of course social media is important and branding is important
too, but I don’t have time to focus on all that. I rather focus on the
thing I’m really good at, and I believe that’s music.
We’ve tailed you at Ultra Europe festival and Zrće beach
club. Those are two different types of events: festivals are more about
socializing, while people come to clubs more or less just for you. How
does that influence the choice of music you play?
At the festivals there’s a different setup. There are a lot of
artists, so you need to make sure you play different than others and you
also have to listen to other people’s sets to hear what they are
playing and consider this, when you decide which tracks you will and
will not play. When I’m headlining the event in the club, I can do just
whatever I want. At the festival you have to adapt to others. For
example: I don’t want to play any music from the artists that are on the
stage the same day that I am. So, you have to prepare well. While when I
play a solo show in a club, I just feel the vibe and I play whatever I
like to play. And that’s the difference between my set at the festival
or in a club.
Everybody see DJ lifestyle as a glamorous adventure full of
beautiful girls, champagne, VIP lounges, private jets, expensive hotels …
But this has to be a very physically exhausting life. Even young DJs,
such as you or Avicii burn out.
Yeah, there are colleagues and
DJs on the scene that really make it look like it’s all about cars and
private planes. I can understand that, but I feel that’s not the real
deal. In reality we tour a lot and you have to give up your personal
life most of the time or at least a big part of it, to be able to play
everywhere. I consider myself lucky. I would never ever say that I have a
tough life, but sometimes really is exhausting. At the same time I am
aware I’m very lucky I’m able to do this. There are not that many people
that are able to give others a great time. I’ve had a bad burnout at
the end of the last year and I’m still recovering from that. That’s why I
only play one and a half hour sets now. I’m still kind of balancing it
out. My problem is that whatever I do I always give 110 percent, and if
you never ever take time off it will get back to you sooner or later.
That has happened to me. Now I’m really trying to find a balance between
working and taking time off just to make sure I can maintain this life
for another couple of years.
Read the whole interview at http://www.emfmag.net/articles/emf-exclusive-qa-2-faces-of-nicky-romero/